Saturday, January 24, 2009

January 24, 2009

Balance is developed several ways within a picture world. Locating the focal point - the spot your eye goes first - in the center of the composition, is defensible if my goal is to create a meditative piece, but it's a location that also risks being static.

Any other placement must be carefully considered. Placing an important design element too close to the edge or top of a composition leads the viewer's eyes right out of the picture. If these two gulls - mother and hungry child - were the only elements in this picture, their location so close to the right edge would be problematic! My eyes would veer to the right, encouraged by the sharp shadow point of the beaks, and might never come back to the beach.

In this picture the reflection of the humans balances the gulls. I look at the gulls, but then back to the reflections. The juxtaposition of the humans and the birds keeps my eye inside the picture world, where I can continue to look, and also reflect...

3 comments:

Anonymous said...

I am in awe of your ability to explain the "Why". I am learning so much--thank you!

Virginia said...

I second that!

Thank you for helping us to look more effectively - I've found your comments so useful when considering my own work.

Jane Dunnewold said...

Thank you both, for taking time to write. I appreciate all the comments people make and often wish I knew how to email someone privately! If you make comments on a frequent basis and don't want to leave an email address here, think of writing to me just once at dunnewoldj@complexcloth.com, so I'll recognize you when you write about a Daily Visual. Thanks!

November 20, 2008

November 20, 2008

November 20, 2008

How does color set a mood? The soft gray and white of the carpet, the cat Marshall, and the sunlit window contribute to to the sense of calm repose. What does blue mean to you or me? We all have symbolic associations for colors; some based on personal experience and some instilled culturally. 

The cobalt blue of the vase provides a point and counterpoint to the composition, in addition to providing elements that balance.
Keeping the cat in the lower third of the composition weights the image and is another visual door into the picture world.

November 19, 2008

November 19, 2008

November 19, 2008

This picture tells several stories. It references the human desire to order the world around us - the lettering on the wall establishes the alley as a No Parking zone, and the broken glass-  jutting out at the top - is another message of fear and frailty. Whoever lives behind this wall wants to be left alone.

But there is beauty in the contrast of the rough brick surface and the smooth translucency of the broken glass bottles. A contrast of textures makes for an interesting composition. And the abstract nature of the printed letters against the structure of the bricks would be worth emulating in another sort of composition.

There is as much beauty in decay as there is in a bouquet of fresh flowers. And aren't decay and fresh growth just two different spots on the same continuum?



November 18, 2008

November 18, 2008

November 18, 2008

The Hydrangeas offer a lesson in the effective use of color. The pale blue and lavender are roughly the same value, so they balance each other beautifully. I am challenged to mimic that combination of analogous colors on silk Habotai!

This photograph would be considered beautiful even without the red-orange and yellow flowers at the bottom. But the addition of the complements to the blue and purple creates a focal point and generates some nice contrast because of the complementary pairing. And imagine how different this composition would be, were the red-orange and yellow at the top instead of at the bottom. The current placement adds important visual weight.

November 17, 2008

November 17, 2008

November 16, 2008

November 16, 2008
Being and Non-being

Substance and Light

November 16, 2008

We join spokes together in a wheel,
but it is the center hole
that makes the wagon move.

We shape clay into a pot,
but it is the emptiness inside 
that holds whatever we want.

We hammer wood for a house,
but it is the space inside
that holds whatever we want.

We work with being,
but non-being is what we use.

Tao te Ching; Verse 11
Stephen Mitchell translation