Monday, December 8, 2008

December 8, 2008

The morning light on Jean's kitchen counter bathes tomatoes, rescued from Austin's first frost. The complementary red-orange and yellow green, ripe and unripe tomatoes, glow - enveloped in the striking reflection cast on Jean's marble countertop by a stained glass window. I recall stained glass windows in another post, and those of the churches of my childhood. The interplay of light and color is classic inspiration to artists and spiritual practitioners alike.

The simple setting - lowly tomatoes and colorful window - are my visual prayer. A  reminder that each day provides opportunities for quiet appreciation and thanks. This moment is sacred. 

2 comments:

Fay's Fun said...

Jane,
I am glad you are back in the land of the living :-]]]]]]]]]]].
for me this beautiful photo is contemplation (of the previous rich season) ---- and promise (held fast in the leadlight colours) for another fruitful season -- even if one is a bit sad to see winter coming.
Fay

Judy said...

I love the way my eyes were initially drawn to the red orange tomatoes and then they popped up to the red orange stained glass, and then my brain said, "Oh wait, look at that reflection in the marble". The wonderfully wavy glass adds even more to this picture. Yup, then I began thinking about churches, spirituality, and then the harvest, the (for me) sadness of another year gone by, but then the eager anticipation of a new year to come. What a powerful picture!

November 20, 2008

November 20, 2008

November 20, 2008

How does color set a mood? The soft gray and white of the carpet, the cat Marshall, and the sunlit window contribute to to the sense of calm repose. What does blue mean to you or me? We all have symbolic associations for colors; some based on personal experience and some instilled culturally. 

The cobalt blue of the vase provides a point and counterpoint to the composition, in addition to providing elements that balance.
Keeping the cat in the lower third of the composition weights the image and is another visual door into the picture world.

November 19, 2008

November 19, 2008

November 19, 2008

This picture tells several stories. It references the human desire to order the world around us - the lettering on the wall establishes the alley as a No Parking zone, and the broken glass-  jutting out at the top - is another message of fear and frailty. Whoever lives behind this wall wants to be left alone.

But there is beauty in the contrast of the rough brick surface and the smooth translucency of the broken glass bottles. A contrast of textures makes for an interesting composition. And the abstract nature of the printed letters against the structure of the bricks would be worth emulating in another sort of composition.

There is as much beauty in decay as there is in a bouquet of fresh flowers. And aren't decay and fresh growth just two different spots on the same continuum?



November 18, 2008

November 18, 2008

November 18, 2008

The Hydrangeas offer a lesson in the effective use of color. The pale blue and lavender are roughly the same value, so they balance each other beautifully. I am challenged to mimic that combination of analogous colors on silk Habotai!

This photograph would be considered beautiful even without the red-orange and yellow flowers at the bottom. But the addition of the complements to the blue and purple creates a focal point and generates some nice contrast because of the complementary pairing. And imagine how different this composition would be, were the red-orange and yellow at the top instead of at the bottom. The current placement adds important visual weight.

November 17, 2008

November 17, 2008

November 16, 2008

November 16, 2008
Being and Non-being

Substance and Light

November 16, 2008

We join spokes together in a wheel,
but it is the center hole
that makes the wagon move.

We shape clay into a pot,
but it is the emptiness inside 
that holds whatever we want.

We hammer wood for a house,
but it is the space inside
that holds whatever we want.

We work with being,
but non-being is what we use.

Tao te Ching; Verse 11
Stephen Mitchell translation