Friday, February 6, 2009

February 6, 2009

Another photograph that would make a good simplification/abstraction study of form. The most important forms are the two purple bottles, the turquoise bottle, and the negative space on the left that curves around to the top right. The two purple bottles are the same shape, so repetition supports relationship in the composition.

Reduced to the four basic forms we see here, the new picture might not be very interesting. It would be well balanced, as the bottom-heavy shape of the purple bottles provides visual weight. But without the beautiful translucence of the glass and the subtle color variations, the interest generated by the image would be minimal.

That's one challenge of abstracting and/or simplifying a composition. How could color and texture be re-introduced, in order to keep the image one worth studying?

1 comment:

Jackie said...

Indeed, some images are more graphic than others, translate more easily into shapes. The one yesterday of the railing was definitely a graphic design but it wasn't the design that was interesting, at least not all together. The glass has a dimension that isn't easily captured by a line either. My list says "line, shape, value, color, texture." (don't know where I got the list either, but I like it.) I guess we need them all, all the time, don't we? Goodness, it isn't easy, is it? But what fun, what joy! Thank you for planting so many seeds of wonder in my brain!

November 20, 2008

November 20, 2008

November 20, 2008

How does color set a mood? The soft gray and white of the carpet, the cat Marshall, and the sunlit window contribute to to the sense of calm repose. What does blue mean to you or me? We all have symbolic associations for colors; some based on personal experience and some instilled culturally. 

The cobalt blue of the vase provides a point and counterpoint to the composition, in addition to providing elements that balance.
Keeping the cat in the lower third of the composition weights the image and is another visual door into the picture world.

November 19, 2008

November 19, 2008

November 19, 2008

This picture tells several stories. It references the human desire to order the world around us - the lettering on the wall establishes the alley as a No Parking zone, and the broken glass-  jutting out at the top - is another message of fear and frailty. Whoever lives behind this wall wants to be left alone.

But there is beauty in the contrast of the rough brick surface and the smooth translucency of the broken glass bottles. A contrast of textures makes for an interesting composition. And the abstract nature of the printed letters against the structure of the bricks would be worth emulating in another sort of composition.

There is as much beauty in decay as there is in a bouquet of fresh flowers. And aren't decay and fresh growth just two different spots on the same continuum?



November 18, 2008

November 18, 2008

November 18, 2008

The Hydrangeas offer a lesson in the effective use of color. The pale blue and lavender are roughly the same value, so they balance each other beautifully. I am challenged to mimic that combination of analogous colors on silk Habotai!

This photograph would be considered beautiful even without the red-orange and yellow flowers at the bottom. But the addition of the complements to the blue and purple creates a focal point and generates some nice contrast because of the complementary pairing. And imagine how different this composition would be, were the red-orange and yellow at the top instead of at the bottom. The current placement adds important visual weight.

November 17, 2008

November 17, 2008

November 16, 2008

November 16, 2008
Being and Non-being

Substance and Light

November 16, 2008

We join spokes together in a wheel,
but it is the center hole
that makes the wagon move.

We shape clay into a pot,
but it is the emptiness inside 
that holds whatever we want.

We hammer wood for a house,
but it is the space inside
that holds whatever we want.

We work with being,
but non-being is what we use.

Tao te Ching; Verse 11
Stephen Mitchell translation